ブラント ブロートン

旅行ガイド

Described as “without doubt one of the most glorious of all Lincolnshire churches…like a medieval dream”. Much of the credit for this beauty must go to Canon Frederick Heathcote Sutton, who was Rector from 1873 to 1888, and in partnership with the architect G.F.Bodley (1827-1907) he carried out an extensive programme of rebuilding and restoration, mainly between 1874 and 1876. The roof-line of the 13th century church is still visible on the wall of the tower arch, and the Decorated style west windows in the aisles were also part of this building. In the next century came the lower part of the tower and the arcades with their octagonal pillars. The crocketed spire, 198 feet high, is a landmark for many miles Two fragments of a stone effigy, comprising the robed torso of a priest and a hand holding a chalice, were found beneath the floor at the base of the tower, and Canon Sutton thought they might have come from the tomb of John Torald (Thorold) who was Rector here from 1457 to 1468. The clerestory and the fine roof were added in the 15th century and are Late Perpendicular. From the central aisle it is interesting to compare the roofs, doors and early Perpendicular windows of the side aisles. Although they appear identical at first sight, their style and decoration differ in several respects, the south side having been built later than the north aisle. During the Bodley restoration the bowl of the old font was re-worked, decorated with sunk panels and carving and set on a new shaft and base. The font cover was designed by Thomas Garner. Its decoration echoes the crockets and pinnacles on the spire of the church. The cover opens to reveal a painted interior, and carved figures of St Michael, St Nicholas and St Agnes. The Rood screen and choir stalls were erected in 1890 by Canon Arthur Sutton. The figure of the crucified Christ was added in 1919. The chancel arch marks the beginning of the re-building undertaken in 1874, when the chancel of 1812 was demolished and replaced by the present structure. The north-east aisle and the vestries were also built then, in part on pre-1812 foundations. The Gothic design of the chancel blends perfectly with the ancient church to which it was added. Canon Sutton designed the Reredos installed in 1887 and gave the painted panel depicting the Ascension which is its centrepiece. This, part of a polytych, dates from about 1490 and is the work of the artist known as the Master of Liesborn. The reredos, with its carvings of the four Evangelists and its rich gilding, was inspired by medieval German work. The ceilings of the chancel and the choir aisle are outstanding examples of High Victorian design by a great architect. During the demolition of the old chancel some long and short work from the original Saxon church was uncovered at the north-east angle of the nave. Other finds included a piece of interlaced Saxon stonework. Fragments of monuments of the Daubney family (Lords of the Manor in the 13th and 14th centuries) were found in the old walls and later reconstructed to form the table tomb in the north east aisle. On the south side of the church are two sundials, one in the angle of the buttresses at the south-east corner of the nave and the other between the south-east buttresses on the wall of the tower. The porches, dating from the late 14th century, both have fine stone vaulted roofs. Like the aisles they are similar, but not identical and both have a number of interesting carvings. (Condensed from Church Guide) Pic by Jenny.
Described as “without doubt one of the most glorious of all Lincolnshire churches…like a medieval dream”. Much of the credit for this beauty must go to Canon Frederick Heathcote Sutton, who was Rector from 1873 to 1888, and in partnership with the architect G.F.Bodley (1827-1907) he carried out an extensive programme of rebuilding and restoration, mainly between 1874 and 1876. The roof-line of the 13th century church is still visible on the wall of the tower arch, and the Decorated style west windows in the aisles were also part of this building. In the next century came the lower part of the tower and the arcades with their octagonal pillars. The crocketed spire, 198 feet high, is a landmark for many miles Two fragments of a stone effigy, comprising the robed torso of a priest and a hand holding a chalice, were found beneath the floor at the base of the tower, and Canon Sutton thought they might have come from the tomb of John Torald (Thorold) who was Rector here from 1457 to 1468. The clerestory and the fine roof were added in the 15th century and are Late Perpendicular. From the central aisle it is interesting to compare the roofs, doors and early Perpendicular windows of the side aisles. Although they appear identical at first sight, their style and decoration differ in several respects, the south side having been built later than the north aisle. During the Bodley restoration the bowl of the old font was re-worked, decorated with sunk panels and carving and set on a new shaft and base. The font cover was designed by Thomas Garner. Its decoration echoes the crockets and pinnacles on the spire of the church. The cover opens to reveal a painted interior, and carved figures of St Michael, St Nicholas and St Agnes. The Rood screen and choir stalls were erected in 1890 by Canon Arthur Sutton. The figure of the crucified Christ was added in 1919. The chancel arch marks the beginning of the re-building undertaken in 1874, when the chancel of 1812 was demolished and replaced by the present structure. The north-east aisle and the vestries were also built then, in part on pre-1812 foundations. The Gothic design of the chancel blends perfectly with the ancient church to which it was added. Canon Sutton designed the Reredos installed in 1887 and gave the painted panel depicting the Ascension which is its centrepiece. This, part of a polytych, dates from about 1490 and is the work of the artist known as the Master of Liesborn. The reredos, with its carvings of the four Evangelists and its rich gilding, was inspired by medieval German work. The ceilings of the chancel and the choir aisle are outstanding examples of High Victorian design by a great architect. During the demolition of the old chancel some long and short work from the original Saxon church was uncovered at the north-east angle of the nave. Other finds included a piece of interlaced Saxon stonework. Fragments of monuments of the Daubney family (Lords of the Manor in the 13th and 14th centuries) were found in the old walls and later reconstructed to form the table tomb in the north east aisle. On the south side of the church are two sundials, one in the angle of the buttresses at the south-east corner of the nave and the other between the south-east buttresses on the wall of the tower. The porches, dating from the late 14th century, both have fine stone vaulted roofs. Like the aisles they are similar, but not identical and both have a number of interesting carvings. (Condensed from Church Guide) Pic by Jenny.
Described as “without doubt one of the most glorious of all Lincolnshire churches…like a medieval dream”. Much of the credit for this beauty must go to Canon Frederick Heathcote Sutton, who was Rector from 1873 to 1888, and in partnership with the architect G.F.Bodley (1827-1907) he carried out an extensive programme of rebuilding and restoration, mainly between 1874 and 1876. The roof-line of the 13th century church is still visible on the wall of the tower arch, and the Decorated style west windows in the aisles were also part of this building. In the next century came the lower part of the tower and the arcades with their octagonal pillars. The crocketed spire, 198 feet high, is a landmark for many miles Two fragments of a stone effigy, comprising the robed torso of a priest and a hand holding a chalice, were found beneath the floor at the base of the tower, and Canon Sutton thought they might have come from the tomb of John Torald (Thorold) who was Rector here from 1457 to 1468. The clerestory and the fine roof were added in the 15th century and are Late Perpendicular. From the central aisle it is interesting to compare the roofs, doors and early Perpendicular windows of the side aisles. Although they appear identical at first sight, their style and decoration differ in several respects, the south side having been built later than the north aisle. During the Bodley restoration the bowl of the old font was re-worked, decorated with sunk panels and carving and set on a new shaft and base. The font cover was designed by Thomas Garner. Its decoration echoes the crockets and pinnacles on the spire of the church. The cover opens to reveal a painted interior, and carved figures of St Michael, St Nicholas and St Agnes. The Rood screen and choir stalls were erected in 1890 by Canon Arthur Sutton. The figure of the crucified Christ was added in 1919. The chancel arch marks the beginning of the re-building undertaken in 1874, when the chancel of 1812 was demolished and replaced by the present structure. The north-east aisle and the vestries were also built then, in part on pre-1812 foundations. The Gothic design of the chancel blends perfectly with the ancient church to which it was added. Canon Sutton designed the Reredos installed in 1887 and gave the painted panel depicting the Ascension which is its centrepiece. This, part of a polytych, dates from about 1490 and is the work of the artist known as the Master of Liesborn. The reredos, with its carvings of the four Evangelists and its rich gilding, was inspired by medieval German work. The ceilings of the chancel and the choir aisle are outstanding examples of High Victorian design by a great architect. During the demolition of the old chancel some long and short work from the original Saxon church was uncovered at the north-east angle of the nave. Other finds included a piece of interlaced Saxon stonework. Fragments of monuments of the Daubney family (Lords of the Manor in the 13th and 14th centuries) were found in the old walls and later reconstructed to form the table tomb in the north east aisle. On the south side of the church are two sundials, one in the angle of the buttresses at the south-east corner of the nave and the other between the south-east buttresses on the wall of the tower. The porches, dating from the late 14th century, both have fine stone vaulted roofs. Like the aisles they are similar, but not identical and both have a number of interesting carvings. (Condensed from Church Guide)
Spire of St. Helen's, Brant Broughton
St.Helen's church, Brant Broughton A golden glow to St.Helen's church in the late afternoon Autumn sunshine

春旅・GWセール

会員ならホテルが最大 40% OFF。今年の連休の旅行を計画してお得に予約しよう。
ベルトン ウッズ ホテル スパ & ゴルフ リゾート

ベルトン ウッズ ホテル スパ & ゴルフ リゾート

4 out of 5
Belton Grantham England
3月1日から3月2日までの料金は1泊あたり¥16,458です
¥16,458
合計 ¥19,749
3 月 1 日 ~ 3 月 2 日
税およびサービス料込み
グランサムにあるスパ付きホテル。WiFi (無料)、駐車場 (無料)、フルサービス スパが利用可能です。口コミでは親切なスタッフと清潔感のある客室が高評価。人気観光スポットのベルトンウッズホテル&カントリークラブとベルトン ハウスが近くにあります。
8.4/10 Very Good! (口コミ 1,003 件)
Great staff, and good w

口コミ投稿日 : 2026 年 2 月 22 日

ベルトン ウッズ ホテル スパ & ゴルフ リゾート
ダブルツリー バイ ヒルトン リンカン

ダブルツリー バイ ヒルトン リンカン

4 out of 5
Brayford Wharf North Lincoln England
全額返金可今すぐ予約、宿泊時にお支払い
2月26日から2月27日までの料金は1泊あたり¥12,978です
¥12,978
合計 ¥15,573
2 月 26 日 ~ 2 月 27 日
税およびサービス料込み
リンカーンにあるビジネス向けホテル。WiFi (無料)、朝食 (有料)、24 時間対応のルームサービスが利用可能です。口コミでは親切なスタッフと清潔感のある客室が高評価。人気観光スポットのリンカーン城とリンカーン博物館が近くにあります。
8.2/10 Very Good! (口コミ 1,008 件)
Very comfortable and spacious room. Staff very friendly and attentive. Room was slightly warm for my liking even though we turned the heating off. Nice breakfast with plenty of options. Location was perfect for exploring the area. Lots of restaurants and bars within walking distance. Would recommend ...

口コミ投稿日 : 2026 年 2 月 22 日

ダブルツリー バイ ヒルトン リンカン
ザ リンカーン ホテル

ザ リンカーン ホテル

3 out of 5
Eastgate Lincoln England
3月1日から3月2日までの料金は1泊あたり¥12,508です
¥12,508
合計 ¥15,009
3 月 1 日 ~ 3 月 2 日
税およびサービス料込み
リンカーンにあるビジネス向けホテル。WiFi (無料)、朝食 (有料)、24 時間対応のルームサービスが利用可能です。口コミでは朝食と親切なスタッフが高評価。人気観光スポットのリンカーンクリスマスマーケットとニューポート アーチが近くにあります。
8/10 Very Good! (口コミ 1,003 件)
We really enjoyed our short stay at The Lincoln- near to historic facilities and some nice outdoor places to eat at in the evening. Also a good balance of cultural shops. Staff were friendly and accommodating plus respectful when addressing patrons- a lovely stress free environment in an established ...

口コミ投稿日 : 2026 年 2 月 22 日

ザ リンカーン ホテル
表示料金は、過去 24 時間における 1 泊大人 2 名利用時の最低価格です。料金および空室状況は変動する場合があります。別途、利用規約が適用される場合があります。
ザ プラウ リトリート

ザ プラウ リトリート

3 out of 5
Main Street Newark England
ニューアークのアパートメント。駐車場 (無料)、バー / ラウンジが利用可能です。人気観光スポットのニューアーク航空博物館とELKモータースポーツが近くにあります。
8.6/10 Excellent! (口コミ 57 件)
Wouldn’t recommend
Disappointed with room, cold - one radiator didn’t appear to work and one needed reprogramming in order to get warmth. The duvet was thin meaning we were cold during the night, and the bed was uncomfortable, so much so we nearly got up and drove home. Shower had black mould on head & pipe. There ...

口コミ投稿日 : 2025 年 10 月 16 日

ザ プラウ リトリート
ザ ダワー ハウス アパートメンツ

ザ ダワー ハウス アパートメンツ

4 out of 5
Montagu Rd Lincoln England
リンカーンにあるビジネス向けアパートメント。WiFi (無料)、駐車場 (無料)、庭園が利用可能です。人気観光スポットの国際爆撃機コマンドセンターとLNER スタジアムが近くにあります。
10/10 Exceptional! (口コミ 24 件)
Beautiful apartment
The apartment was stunning and Neil was a great host. Check in was easy and the location was ideal for exploring Lincoln. Would definitely stay again.

口コミ投稿日 : 2025 年 8 月 18 日

ザ ダワー ハウス アパートメンツ
田舎の退去。 家族の休日やお集まりに最適です。

田舎の退去。 家族の休日やお集まりに最適です。

Muston
ノッティンガムにあるファミリー向けバケーションホーム。WiFi (無料)、庭園、ランドリー設備が利用可能です。人気観光スポットのマストン・メドウズ国立自然保護区とボッツフォード・ライブラリーが近くにあります。
9.6/10 Exceptional! (口コミ 170 件)
Our family of six had a wonderful stay in this delightful cottage! The cottage is so well equipped and lacks nothing. Lynn, our host, was very attentive and detailed. We can definitely recommend a stay here.

口コミ投稿日 : 2026 年 1 月 3 日

田舎の退去。 家族の休日やお集まりに最適です。
表示料金は、過去 24 時間における 1 泊大人 2 名利用時の最低価格です。料金および空室状況は変動する場合があります。別途、利用規約が適用される場合があります。

人気の観光スポット

ブラント ブロートン近郊の都市